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	<title>Pancake House Minneapolis</title>
	<link>https://pancakehousempls.com</link>
	<description>Pancake House Minneapolis</description>
	<pubDate>Fri, 19 Aug 2022 20:23:24 +0000</pubDate>
	<generator>https://pancakehousempls.com</generator>
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	<item>
		<title>Index</title>
				
		<link>https://pancakehousempls.com/Index</link>

		<pubDate>Sun, 10 Mar 2019 18:05:01 +0000</pubDate>

		<dc:creator>Pancake House Minneapolis</dc:creator>

		<guid isPermaLink="true">https://pancakehousempls.com/Index</guid>

		<description>
	
&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/0e4de8919f0d52ec917aa7ca25aab213af90f7628d4ed38879231dfdbaea791b/20210910_193746.jpg" data-mid="118901985" border="0"  src="https://freight.cargo.site/w/1000/i/0e4de8919f0d52ec917aa7ca25aab213af90f7628d4ed38879231dfdbaea791b/20210910_193746.jpg" /&#62;

Pancake House was a small multipurpose art space located in South Minneapolis from 2018 - 2022. 
For updates on the future of Pancake House, subscribe to our newsletter.

︎&#38;nbsp; &#38;nbsp; Instagram︎



	
Limno Loqui

Fragment Performances 300 - 1000
Single Family Homes in the Year 3030?

An archive of suburban Minnesota pilgrimage

The Center for Post-Capitalist History

Plumage
MATERIAL INSTRUCTIONS

The Temporary Institute of Early Art

Remote Residency for Non-Remote Workers
An Evening with Hieronymus Bosch
Radial Residency Project
Early Spring Haptics Lab
Letters 2 Lara Croft/Animal Crossing
Hard Science/Soft Opening
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	<item>
		<title>Limno Loqui</title>
				
		<link>https://pancakehousempls.com/Limno-Loqui</link>

		<pubDate>Fri, 19 Aug 2022 20:23:24 +0000</pubDate>

		<dc:creator>Pancake House Minneapolis</dc:creator>

		<guid isPermaLink="true">https://pancakehousempls.com/Limno-Loqui</guid>

		<description>Limno LoquiAn installation and CD release by Nicholas BauchAugust 22 - 26
On view 5 - 8 p.m. August 22, 23, 25, 26
On view 4:30 - 6 p.m. August 24




Fresh water reserves continue to decline in America's arid west.&#38;nbsp; Meanwhile, Minnesota has one of the densest populations of fresh water bodies in the world.&#38;nbsp; Engineers and politicians have long imagined a feat to connect these regions, to balance the reserve.&#38;nbsp; In Limno Loqui ("lake speak"), Nicholas Bauch plays a waterphone instrument loaded with hand-gathered Minnesota lake water to listen to what the lakes have to say about this proposition.



About Nicholas BauchI am a conceptual artist driven by ideas emergent from cultural and urban geography.&#38;nbsp; Specifically, I create systems that ignite my own ways of being in and with landscapes, drawing attention to the built form of human activity (economy, for example), or animacies that are felt, but just out of sight.&#38;nbsp; At the core of my artistic life is re-mediation, which, as I am using it, is when an expression of something becomes expressed in a different medium.&#38;nbsp; My art involves the challenges and joys of designing ephemeral activities, then collecting their residues to share with others in a way that inspires new pathways of thinking for all involved.&#38;nbsp; One characteristic of re-mediation is that it is always incomplete; it is never meant to capture the entirety of the system I make for myself. &#38;nbsp;In my art I use instruments as tools for being with landscapes.&#38;nbsp; I hold an M.F.A. in Visual Art from the University of Minnesota (2021), and a Ph.D. in Geography from U.C.L.A. (2010).&#38;nbsp; www.geographystudio.org


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	<item>
		<title>Fragment Performances 300 - 1000</title>
				
		<link>https://pancakehousempls.com/Fragment-Performances-300-1000</link>

		<pubDate>Wed, 23 Mar 2022 01:44:28 +0000</pubDate>

		<dc:creator>Pancake House Minneapolis</dc:creator>

		<guid isPermaLink="true">https://pancakehousempls.com/Fragment-Performances-300-1000</guid>

		<description>Fragment Performances 300 - 1000
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7a9b944d93fbb6c362bd8bc87ea04ca042155b3d798bb372eb310244b875add7/Fragment-Performances.png" data-mid="137273148" border="0"  src="https://freight.cargo.site/w/1000/i/7a9b944d93fbb6c362bd8bc87ea04ca042155b3d798bb372eb310244b875add7/Fragment-Performances.png" /&#62;Part of the Pancake House Early Art Initiative, Fragment Performances 300 - 1000 is a weekend-length event taking place July 22 - 24, 2022. 



You are invited to propose a performance based on a fragment from the years 300 - 1000 CE. Here, fragment is defined as (noun) "a small part broken or separated off something" OR (verb) "to break or cause to break into fragments." The years 300 - 1000 have been arbitrarily chosen to represent a swath of the early medieval period/"Dark Ages." While the material record from the period is rich, it is also filled with shards, ruins, objects intentionally and unintentionally destroyed or defaced, and incomplete texts.  



Performances can be in any medium. Examples include dance, recitation/reading, short play, song, lecture, science experiment, game, etc. If you cannot be physically present at Pancake House in Minneapolis to perform your piece, you may document your performance on video to be shown virtually.



This is an unpaid opportunity. You are encouraged to apply with a fragment as small or large as you see fit. If you would like to propose a performance with another person or group, you are welcome to do so.



Please submit your proposal by Monday, April 11.</description>
		
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	<item>
		<title>Single Family Homes in the Year 3030?</title>
				
		<link>https://pancakehousempls.com/Single-Family-Homes-in-the-Year-3030</link>

		<pubDate>Tue, 18 Jan 2022 03:10:59 +0000</pubDate>

		<dc:creator>Pancake House Minneapolis</dc:creator>

		<guid isPermaLink="true">https://pancakehousempls.com/Single-Family-Homes-in-the-Year-3030</guid>

		<description>&#60;img width="3162" height="3162" width_o="3162" height_o="3162" data-src="https://freight.cargo.site/t/original/i/d50586d2638a7a17ae41841932707bfadff494d14202cb6b43b924d66354bd0b/Single-Family_First-Promo_Square.jpg" data-mid="130561824" border="0"  src="https://freight.cargo.site/w/1000/i/d50586d2638a7a17ae41841932707bfadff494d14202cb6b43b924d66354bd0b/Single-Family_First-Promo_Square.jpg" /&#62;
Single Family Homes in the Year 3030?
a show of photos by lyn corelleOn view February 11 - 18
Hours:&#38;nbsp;

 5:30 - 8:30 2/11&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;1 - 4 p.m. 2/12-2/13&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;5:30 - 8:30 p.m. 2/14 - 2/18






Single Family Homes in the Year 3030? is a show of photographs by Lyn Corelle taken in South Minneapolis in fall and winter of 2020 and 2021. In their unnerving beauty, these 11 images (lushly colored, swimming in grain, confidently flawed) of primarily-affluent dwellings stand as ambiguous portraits of “the tenuousness of the present moment,” to borrow a favorite phrase from science-fiction author Gail Madonia.


Lyn Corelle is a photographer, flmmaker, and writer living in Minneapolis. Their work has

been shown at the Walker Art Center, Sioux City Art Center, and numerous Twin Cities DIY

venues. They started the viral campaign Make the Golf Course a Public Sex Forest! and are the

author of Bodybuilding Basics: A Field Guide for Young Naturalists.



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		<title>Mall of America Pilgrimage</title>
				
		<link>https://pancakehousempls.com/Mall-of-America-Pilgrimage</link>

		<pubDate>Tue, 02 Nov 2021 14:00:28 +0000</pubDate>

		<dc:creator>Pancake House Minneapolis</dc:creator>

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		<description>Mall of America Pilgrimage
Sophie Durbin
 The largest mall in the western hemisphere, the Mall of America is a true pilgrimage site for many of its millions of annual visitors. While other malls across the United States are rapidly emptying, somehow this remains the Mall of America reigns eternal. This reliquary box features rocks and trash collected from the mall’s carefully landscaped parking lot area, offering the viewer a reconstructed version of its incidental detritus.



&#60;img width="3420" height="2121" width_o="3420" height_o="2121" data-src="https://freight.cargo.site/t/original/i/b2b623149b2b4cc3990baa55367103fe1db1c020e47ac88f349d63cd28710a51/20211014_193957.jpg" data-mid="123380873" border="0"  src="https://freight.cargo.site/w/1000/i/b2b623149b2b4cc3990baa55367103fe1db1c020e47ac88f349d63cd28710a51/20211014_193957.jpg" /&#62;
&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/efced04763caf78d4f4a53c92b34cf97fc96b0378f14bb458822fb818d1a027e/20211014_194046.jpg" data-mid="123380931" border="0"  src="https://freight.cargo.site/w/1000/i/efced04763caf78d4f4a53c92b34cf97fc96b0378f14bb458822fb818d1a027e/20211014_194046.jpg" /&#62;</description>
		
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	<item>
		<title>Taconite Harbor Pilgrimage</title>
				
		<link>https://pancakehousempls.com/Taconite-Harbor-Pilgrimage</link>

		<pubDate>Tue, 02 Nov 2021 13:59:09 +0000</pubDate>

		<dc:creator>Pancake House Minneapolis</dc:creator>

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		<description>Taconite Harbor Pilgrimage

Sophie Durbin

In the 1950s, Taconite Harbor was a bustling two-block community of pastel-colored prefab homes, each with its own backyard and paved driveway. Now abandoned by the 1980s due to pollution from the nearby taconite plant, the town is now only recognizable by a lone street lamp, a few leftover curbs, and several fragmented house foundations. This reliquary box pays homage to this short-lived American Dreamscape, combining rocks and sediment found at Taconite Harbor with pebbles from the mouth of the nearby Cross River, where missionary Father Baraga planted a wooden cross in 1846. 



&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/4efb098a44cebbd4abea0f20dffc20ba1443218e29ff0ba31fcad3c0810c0a2f/20211014_193829.jpg" data-mid="123380463" border="0"  src="https://freight.cargo.site/w/1000/i/4efb098a44cebbd4abea0f20dffc20ba1443218e29ff0ba31fcad3c0810c0a2f/20211014_193829.jpg" /&#62;&#60;img width="3636" height="2240" width_o="3636" height_o="2240" data-src="https://freight.cargo.site/t/original/i/b27724fe10e4bcbcdb135db87f8478baf731b88866e09ad3b2c2d5b4c7780ef1/20211014_193817.jpg" data-mid="123380472" border="0"  src="https://freight.cargo.site/w/1000/i/b27724fe10e4bcbcdb135db87f8478baf731b88866e09ad3b2c2d5b4c7780ef1/20211014_193817.jpg" /&#62;</description>
		
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		<title>IKEA Pilgrimage</title>
				
		<link>https://pancakehousempls.com/IKEA-Pilgrimage</link>

		<pubDate>Tue, 02 Nov 2021 13:56:28 +0000</pubDate>

		<dc:creator>Pancake House Minneapolis</dc:creator>

		<guid isPermaLink="true">https://pancakehousempls.com/IKEA-Pilgrimage</guid>

		<description>IKEA Pilgrimage
Tricky Position


With close to 1 billion annual visits worldwide, IKEA stores facilitate modern-day pilgrimages, preaching the doctrine of creating “a better everyday life for the many people”. This reliquary box pays homage to artifacts collected by religious pilgrims in the medieval era via 12 found objects gathered at the suburban Bloomington (MN) IKEA. The box’s contents investigate various themes, including capitalism, sustainability, interior vs. exterior topography, affordability, and worship, while raising questions about contemporary delineations between material and spiritual pilgrimages.


&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/4c74a2a23b8d2d0ce3d9f329b570405938f96a8096559b902ac020eac5798f37/20211018_190839.jpg" data-mid="123379970" border="0"  src="https://freight.cargo.site/w/1000/i/4c74a2a23b8d2d0ce3d9f329b570405938f96a8096559b902ac020eac5798f37/20211018_190839.jpg" /&#62;
&#60;img width="2115" height="2268" width_o="2115" height_o="2268" data-src="https://freight.cargo.site/t/original/i/1e97c476d082be58ae19d1e482bb4111f058a195e4c5510f685c64a21273a157/20211018_191610.jpg" data-mid="123379969" border="0"  src="https://freight.cargo.site/w/1000/i/1e97c476d082be58ae19d1e482bb4111f058a195e4c5510f685c64a21273a157/20211018_191610.jpg" /&#62;&#60;img width="2268" height="4032" width_o="2268" height_o="4032" data-src="https://freight.cargo.site/t/original/i/58cdbd4ea89d6fae352968d572e5bf19c32608bd0fb060d0de56a61137682ccc/20211018_191024.jpg" data-mid="123379972" border="0"  src="https://freight.cargo.site/w/1000/i/58cdbd4ea89d6fae352968d572e5bf19c32608bd0fb060d0de56a61137682ccc/20211018_191024.jpg" /&#62;</description>
		
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		<title>An archive of suburban Minnesota pilgrimage</title>
				
		<link>https://pancakehousempls.com/An-archive-of-suburban-Minnesota-pilgrimage</link>

		<pubDate>Tue, 02 Nov 2021 13:48:46 +0000</pubDate>

		<dc:creator>Pancake House Minneapolis</dc:creator>

		<guid isPermaLink="true">https://pancakehousempls.com/An-archive-of-suburban-Minnesota-pilgrimage</guid>

		<description>An archive of suburban Minnesota pilgrimage
Three new reliquary boxes created for Pilgrim CHAT 2021&#38;nbsp;by Sophie Durbin and Tricky Position

Pilgrims of the early medieval world traveling to the Holy Land transformed sacred topography into collectible artifacts by archiving soil, rocks, and pieces of relics into portable reliquary boxes (see: examples from the Sancta Sanctorum treasure in the Vatican). The boxes allowed travellers to access their devotional experiences by interacting with these blessed materials after their journeys ended. Drawing upon perceptions of place in medieval pilgrimage as well as modern artistic attempts to re-conceptualize place, this digital exhibition transforms materials of the suburban Minnesota landscape into contemporary relics through a trio of artist-made reliquary boxes.
&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/4c74a2a23b8d2d0ce3d9f329b570405938f96a8096559b902ac020eac5798f37/20211018_190839.jpg" data-mid="123379732" border="0"  src="https://freight.cargo.site/w/1000/i/4c74a2a23b8d2d0ce3d9f329b570405938f96a8096559b902ac020eac5798f37/20211018_190839.jpg" /&#62;&#60;img width="3420" height="2121" width_o="3420" height_o="2121" data-src="https://freight.cargo.site/t/original/i/b2b623149b2b4cc3990baa55367103fe1db1c020e47ac88f349d63cd28710a51/20211014_193957.jpg" data-mid="123379859" border="0"  src="https://freight.cargo.site/w/1000/i/b2b623149b2b4cc3990baa55367103fe1db1c020e47ac88f349d63cd28710a51/20211014_193957.jpg" /&#62;&#60;img width="3636" height="2240" width_o="3636" height_o="2240" data-src="https://freight.cargo.site/t/original/i/b27724fe10e4bcbcdb135db87f8478baf731b88866e09ad3b2c2d5b4c7780ef1/20211014_193817.jpg" data-mid="123379857" border="0"  src="https://freight.cargo.site/w/1000/i/b27724fe10e4bcbcdb135db87f8478baf731b88866e09ad3b2c2d5b4c7780ef1/20211014_193817.jpg" /&#62;


Tricky Position is a creative collaboration between Naomi E. Crocker and Michael Legan.

Naomi E. Crocker is a Minneapolis-based artist, whose work explores the boundaries between seemingly-disparate disciplines. She is drawn to acts of facilitation, but also utilizes performance, sculpture, sound, installation, and text-based practices. Naomi’s projects often consider humanity's relationship with language (oral, written &#38;amp; gestural) and she is frequently inspired by linguistic histories, processes, and structures. Naomi holds a B.A. in Linguistics, an M.A. in Second Languages &#38;amp; Cultures Education, and works as both an independent researcher and administrator primarily within museums and cultural organizations. 

Michael Legan is a sound artist based in Minneapolis, Minnesota. Michael’s work has been featured at the Cleveland International Film Festival, Minneapolis-Saint Paul International Film Festival, PBS, Guthrie Theater, Interact Center for the Visual and Performing Arts, and the screening room of the New York Public Library’s Performing Arts Branch. His sound installations have been exhibited at the Walker Art Center’s summer series of Sensory Friendly Sundays, the Minneapolis Institute of Art, Glass House, and at the Material Art Fair in Mexico City, Mexico. Michael holds a BA in Global Studies from the University of Minnesota.

Sophie Durbin is an interdisciplinary artist, curator, and researcher based in Minneapolis. She directs programming at Pancake House, a small multipurpose art space. Her work blends artistic inquiry with academic research and focuses on the relationship between the distant past and the contemporary world, with a current focus on the early medieval period. Recent creative projects include curating the Temporary Institute of Early Art, a collaboration with the Hill Museum and Manuscript Library; developing a remote residency program for artists affected by the pandemic; and facilitating a series of Early Object Slow Looking sessions. She is a student at the University of the Highlands and Islands - Orkney College in the MA Contemporary Art and Archaeology program. 




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		<title>The Center for Post-Capitalist History</title>
				
		<link>https://pancakehousempls.com/The-Center-for-Post-Capitalist-History</link>

		<pubDate>Mon, 23 Aug 2021 18:06:36 +0000</pubDate>

		<dc:creator>Pancake House Minneapolis</dc:creator>

		<guid isPermaLink="true">https://pancakehousempls.com/The-Center-for-Post-Capitalist-History</guid>

		<description>The Center for Post-Capitalist HistoryWindow Installation by Leah Sandler
September 11 - 17, 2021
Opening Reading on September 11 at 5 p.m. CST on Twitch&#38;nbsp;




&#60;img width="5998" height="3999" width_o="5998" height_o="3999" data-src="https://freight.cargo.site/t/original/i/002077a3db4b45fd98342be77a00b3b1e182eecfd100024b164bb39a6f44494a/CPCH-space-blanket-2-centeredrgb.jpg" data-mid="117156438" border="0"  src="https://freight.cargo.site/w/1000/i/002077a3db4b45fd98342be77a00b3b1e182eecfd100024b164bb39a6f44494a/CPCH-space-blanket-2-centeredrgb.jpg" /&#62;




The Center For Post-Capitalist History, a fictitious museum existing through para-fictional intervention, proposes the creation of new methods of understanding history after the fall of Capitalism. In the institution’s vision, the body should be understood as a valuable archive of information that can reorient our understanding of knowledge production and the writing of history, and allow us to prioritize care and mutual aid in a proposed future after the Capitalocene. In this storefront window installation, the viewer is offered a glimpse into a Center For Post-Capitalist History Staging Area, suggesting that the intentional construction of our future is something occurring in the present.



Leah Sandler is an interdisciplinary artist and writer based in Orlando, Florida. She graduated
with a Bachelor of Arts from Rollins College in 2014 and a Master of Fine Arts from University of
the Arts in 2017. Recent exhibitions include the 2020 Florida Biennial, Interstice at MOTOR Los
Angeles, CA, and Utopian/Vermilion, a solo exhibition at ParkHaus15 in Orlando, FL. Sandler’s writing and projects have been featured in publications including Salat Magazin, SPECS
Journal, and Mapping Meaning Journal. She is the author of The Center For Post-Capitalist
History’s Field Guide to Embodied Archiving, available in September 2021 through Burrow
Press.

Watching the decline of capitalism from the sand pine scrub and urban sprawl of Orlando

Florida, I construct parafictional worlds through mediums including video, text, drawing, flag
making, and collaborative interdisciplinary projects. These parafictions flesh out imagined
post-capitalist institutions, rituals, histories, manifestos, and landscapes. Traversing these
worlds, the viewer is encouraged, through a visual language of repeated symbols and colors
present throughout discrete works, to consider the inconsistencies of the invisible ideologies
that uphold and subtend capitalism, and to visualize the precarity of our contemporary moment.


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		<title>Plumage</title>
				
		<link>https://pancakehousempls.com/Plumage</link>

		<pubDate>Wed, 19 May 2021 12:53:16 +0000</pubDate>

		<dc:creator>Pancake House Minneapolis</dc:creator>

		<guid isPermaLink="true">https://pancakehousempls.com/Plumage</guid>

		<description>
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b8e8b3bbe48402f62af596a752aa17c93cdeb9df8778ab1a1de6521f258aa233/vibes-1.png" data-mid="108917142" border="0"  src="https://freight.cargo.site/w/1000/i/b8e8b3bbe48402f62af596a752aa17c93cdeb9df8778ab1a1de6521f258aa233/vibes-1.png" /&#62;



Plumage
A window display by Mike Curran for Pancake House&#38;nbsp;4553 S. 34th Avenue, May 19th - May 26th, best viewed 5:30 p.m.-8:30 p.m. daily

The bald eagle is an ambivalent image in Mike Curran’s Plumage. It appears in found footage as a harbinger of patriotic camp and hypermasculine overcompensation. It is also a weapon and a warning, signifying imperialism, war, and “Freedom.” The eagle reminds us of the troubled American conservation movement of which Roosevelt was a figurehead, which cast aside Indigenous land management practices to construct and preserve a mythical wilderness.

 Of course, the eagle did not ask to bear this weight. It is also a formerly endangered animal that you may see for yourself as you embark on Curran’s self-guided tour. Curran walks us through a place that eagles call home -- 73 eagle nests reside along the portion of the Mississippi River that flows through the Twin Cities. On this tour we encounter eagles re-inscribed across the landscape in ways both mundane and macabre, from an eagle decoration topping a mortuary to an account of animal cruelty at the ghostly former site of Longfellow Zoological Gardens. Coupled with the window installation, this tour offers viewers a contemporary meditation on the eagle’s symbolism as well as its material presence.



Artist Statement 

A mature bald eagle weighs 14 pounds. But in this nation, an eagle is a heavy being, overburdened with symbolic meaning—its likeness adorns pistol grips and presidential podiums. At the same time, chemical contaminants from nearby industrial dumping sites leach into the bloodstream of eagles nesting along the Mississippi River. Plumage addresses both our adoration of the eagle and the desecration of its habitat. A video installation in Pancake House’s storefront window combines found YouTube clips with text from a 1908 speech from Teddy Roosevelt entitled “Conservation as a National Duty.” Visitors are also invited on a self-guided, 1.5 mile-long walking tour that notices the natural history of eagles and the particular ways they are embedded in the local landscape.

Bio

Mike Curran grew up in Portland, Maine, and now lives in the Twin Cities. He received his B.A. in Geography from Macalester College in 2018. His work often involves sifting through the waste of the Anthropocene to deconstruct dominant cultural symbols and our frayed connection with the natural world. Recent projects have used satellite imagery to explore the relationship between golf courses and prisons, and hacked surveillance footage to better understand contemporary American landscapes. Beyond his individual practice, he produces shows at Normal Residential Purposes, and works in habitat restoration along the Mississippi River. His arts writing has been published in TEMP/reviews.



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